Online, worldwide
Live one-to-one lessons over video call, arranged around your time zone. You will need a tabla, a steady internet connection and somewhere quiet to sit. Lessons are recorded on request so you can revise the bols between sessions.
Study
Lessons in the Punjab gharana tradition — one to one, online anywhere in the world or in person in Lahore. Beginners are welcome; so are players who want to go deeper.
Two ways to study
Live one-to-one lessons over video call, arranged around your time zone. You will need a tabla, a steady internet connection and somewhere quiet to sit. Lessons are recorded on request so you can revise the bols between sessions.
One-to-one and small-group teaching at Teen Taal Studio, in the way the instrument has always been taught — sitting together, hands watched and corrected. Instruments are available at the studio for those who do not yet own a pair.
The syllabus
Students are taught on a graded syllabus, so that each stage rests on the last rather than skipping ahead of the hands.
Theka, kaida, rela, tukra and accompaniment practice — from the first bols through to advanced solo material.
Systems of laya and taal; notation and rhythmic reading; the gharana traditions of South Asian classical music.
Principles of accompaniment for khayal, thumri, ghazal, kafi and qawwali — how to listen, and when to stay out of the way.
Stage accompaniment, rehearsal direction and recording practice for television, radio and studio release.
Levels
Sitting position and hand shape. The individual bols — na, tin, ti, te, ka, ge — and the first thekas in teentaal and dadra. Counting the cycle out loud until it becomes second nature.
Kaida and its variations, rela, and the discipline of expanding a phrase without losing the cycle. Reading and writing notation. First work with a lehra, and the beginning of accompaniment.
Peshkar, tukra and chakradar; solo construction across a full recital. Taals beyond teentaal. Accompanying vocal and instrumental forms, and playing to a room rather than to a metronome.
Taught at
Enquire
Tell Asher a little about where you are with the instrument. There is no obligation, and he answers every message himself.
Questions
For online lessons, yes — you will need a pair to practise on between sessions. Asher can advise on what to buy and what to avoid before you spend anything. For lessons in Lahore, instruments are available at the studio while you decide.
No. Tabla is taught first through spoken bols — you learn to say the phrase before you play it. Notation and rhythmic reading are introduced later, as part of the theory, once the hands and the ear are established.
Most students take one lesson a week. The length is agreed between you — what matters far more is the practice done between lessons. Asher will tell you honestly what a given goal will take.
Fees depend on the format, the length of the lesson and where you are based. Send an enquiry with those details and Asher will reply with a straightforward answer.
Yes. Asher taught classroom music across year groups at Lahore Grammar School for three years, and has worked with young students since 2011.
Yes. Laya and taal, notation, and the gharana traditions can be studied on their own — useful for vocalists, instrumentalists and dancers who need to understand the rhythmic side without taking up the instrument.